VOL 1, ISSUE 1 March 2003
THIS IS THE FIRST BLVR RDR ISSUE REVIEW, WILL IT REALLY BE THE LAST:
Yes. No. It’s complicated.
Lots more after the jump.
So, I know that many people have already blogged about this (we found it on Famille Summerbelle’s blog, who found it on Design Shimmer), but I am insanely in love with Heather Benning’s life-sized dollhouse from 2007. What’s not to love? Farmhouse? Check! Dollhouse? Check! Canada? Check! The Saskatchewan artist converted an abandoned farmhouse in Manitoba into a full-sized, livable dollhouse. And, oh, how I’d love to live in it.
Oh, and on a doll-related note, a current project of Benning’s is Field Doll, a 12-foot tall mixed-media sculpture of a doll that Benning has carried around with her on her travels.
Enjoy more photos of Benning’s delightful dollhouse after the jump.
I thought this was so cool, it just begged to be a second Font-y Friday.
For the assignment, “Produce a visual representation for the word ‘Move’,” Jas Bhachu created a rubber stamp set that can be used in varying combinations to create type. I love the packaging and instruction booklet too.
I wish it were available to purchase, because I really wanted to buy one for Owen (he was always a huge fan of using the letterpress equivalent when setting metal type).
via Design Observer
Scripts, love ’em or hate ’em? Certainly a lot of them seem stuffy or old-fashioned, but, there are certain styles that still look fabulous after all these years. We’d like to look at one of our favorite subsets of script, the upright. Whether inspired by the Nineteenth-century French model or the mid-century modern craze for brush-written uprights, we can’t resist the charm of this style.
They are enjoying a recent resurgence in popularity, fueled largely by the efforts of superstar typographers Alejandro Paul and House Industries, both of whom have revived mid-century styles and made their own new faces. Here are thirteen of our favorites; credits after the jump.
Three of the four experts are going to see the Decemberists play tonight at the newly-restored and reopened, historic Fox Theater in Oakland. Since I’m a big fan of silkscreen, gig posters and the Decemberists, here is a collection of some of their beautiful show posters.
Even more posters, and all the poster credits, after the jump.
Thought I’d share with you all my new chair. Funny how a new piece of furniture can bring me so much joy. If you like vintage furniture as much as I do, definitely check out Amandromeda online!
I am fantastically fond of felt. Needle felting, pressed-fiber felt, felt in all forms. It’s fuzzy and comforting, yet substantial and strong. Here are a few fabulous felty finds from Etsy.
I find these shots by Shinichi Maruyama absolutely stunning. He photographs (extremely fast) midair combinations of water and black ink. Not only is the subject matter a reference to traditional sumi paintings and calligraphy, but formally an exploration of the variety of ways the two – light/dark, opaque/clear – oppose and combine with each other, making them an apt metaphor for just about everything. I love the thoroughness of this exploration almost as much as the beauty of the individual pieces.
Lots more, and higher-res, at shinichimaruyama.com.
Thought I’d do a little post with some old photos I’d taken while out and about in San Francisco. Funny how these photos were all taken at completely different places/times, but they somehow all go together. Happy Monday!
Jenny Holzer, “MONUMENT”, 2008.
Texts: “Truisms”, 1977-79; “Inflammatory Essays”, 1979-82. © 2009 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Vassilij Gureev. Collection of the artist; courtesy Monika Sprüth Philomene Magers, Berlin and London; and Diehl + Gallery One, Moscow
Jenny Holzer, “For Chicago”, 2008.
Texts: “Truisms”, 1977-79; “Inflammatory Essays”, 1979-82; “Living”, 1980-82; “Survival”, 1983-85; “Under a Rock”, 1986; “Laments”, 1989; “Mother and Child”, 1990; “War”, 1992; “Lustmord”, 1993-95; “Erlauf”, 1995; “Arno”, 1996; “Blue”, 1998; and “Oh”, 2001. © 2009 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Attilio Maranzano. Collection Museum of Contemporary Art, Chicago, commissioned through the generosity of the Edlis/Neeson Art Acquisition Fund
The show includes a variety of media, not only the LED signs that Holzer is best known for (shown above, but, as you might expect, the pictures can’t begin to do them justice), but also a series called Redaction Paintings which reproduce government documents about torture at large scale. The show is incredibly affecting; the matter-of-fact tone of the transcripts of marines discussing a war we are still engaged in can be a little hard to stomach, but are very important to read.
Here is an excerpt from The Whitney’s text about the show:
The works in this exhibition feature selections of Holzer’s writings from 1977 to 2001, as well as declassified pages from U.S. government documents she has used as source material since 2004. The exhibition’s subtitle PROTECT PROTECT derives from texts detailing plans for the Iraq war, yet it also relates to the problematic power of personal desire, as encapsulated in one of Holzer’s best-known statements: PROTECT ME FROM WHAT I WANT.
Whether she is using her own idiomatic texts, borrowing the words of international poets, or citing formerly classified materials containing policy debates, battle plans, and testimonies of American soldiers and detainees in U.S. custody, Holzer works between the public and private, the body politic and the body, the universal and the particular. Always timely, she provides a range of opinions, attitudes, and voices in works infused with formal beauty, sensitivity, and power.
Holzer is a favorite of ours from way back. She appeals to our love of type and also a social consciousness in artwork that is rare. From her Truisms, which were like incredible bursts of keen observation executed in a variety of media, through Lustmord, which dealt rather chillingly with text from the abusers and the abused (sometimes cut into skin or tagged onto bones) to this use of declassified torture documents displayed large or on flashing LEDs, she has consistently made thought-provoking use of texts.
To read more about the show, click here. Protect Protect is on view at the Whitney until May 31st.
1. Negative space typography remaining on the facade of an old fabric warehouse.
2. Fabulous awning-side metal letters on a Hotel in the Besties’ neighborhood – note that not only does Greenpoint turn around its curve, but Square actually tilts up a bit to fit as well.
3. Handpainted sign for a Haitian Baptist church with both blackletter and sans serif lettering. I love the mix of careful, studied shapes and disregard for details: the wild line weights and spacing letter to letter in “New,” the awkward sans “S.”
4. Subway poster for Mira Schendel show at the MOMA. We saw this poster on our final day in NY, but didn’t end up seeing the show. The poster made us pretty excited though (this is totally in the vein of some of our faves: Martin Venezky and Simon Evans).
We saw a lot of beautiful typography walking around New York, and it made us want to snap more photos around more often, because it’s really just a matter of paying attention: we have urban type this good in San Francisco too after all!
As we’ve mentioned, Owen and I just got back from the East Coast. The first leg of our trip was spent in Washington DC and the second half in New York.
If you are going to DC, I definitely recommend checking out The United States Botanic Garden. It’s steps from the Capitol, and we were planning on visiting that, the outdoor gardens and the Library of Congress buildings, but it was raining absurdly hard, so we ended up spending all our time in the conservatory. Thankfully, there are tons of beautiful plants and flowers to see even without visiting the outside gardens. I know it is a bit simple to write a post that essentially boils down to “flowers are pretty,” but the Botanic Gardens were really lovely, the orchids are formally so interesting to look at and it is a great place to spend an hour or so on a rainy afternoon. Plus, since so many artists and designers draw inspiration from nature, it offers a great opportunity to get exposure to plants you wouldn’t normally see.
For some information of the history of the Botanic Gardens, click here.
Some really great prints I wouldn’t mind having on my wall. I especially like that the last two pieces have the words forest + girl in the titles!
All prints are available through artstream.
I’m back at work today — making the rough mental transition from vacation mode to work mode. I thought some of these items from Etsy might brighten my office, and help make the transition a little smoother.
If you shop on Etsy, or have thought about shopping on Etsy, you should take a few seconds to take the Etsy Shopper Survey. They really do want to make the shopping experience as good as possible and feedback will help. It is anticipated that the survey will be live through May 22nd.
Sorry for the lack of posts from Owen and me lately — we’ve been on vacation. We promise to have some fun posts about our trip soon, but before that happens, I thought I’d post a little something in honor of the latest postal rate increase.
The USPS has only released a handful of stamps at the new letter rate (44¢), but I’m pretty psyched about these new Simpsons stamps and think the new king and queen love stamps are pretty lovely. Hopefully they’ll release some new artist stamps soon like the Nevelson, Noguchi or Chales and Ray Eames ones. If none of the designs from the USPS suit you, they now link to a few different outside companies that will print your designs on postage stamps.
We’ve been a bit busy lately and haven’t really had much time to post, but since I have a free moment, I wanted to share the glorious Etsy purchases I’ve made recently. Such a range of marvelous little treasures!
Fantastically adorable gocco-printed felt brooches by Anke Weckmann:
Lovely drawings of things dear to my heart (birds, typewriters AND cupcakes!) by Tabitha Emma:
Amazing vintage paint-by-number horses from BROOKLYNrehab: