Posts Tagged ‘Art’

jon klassen

June 3, 2009

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One of my new favorite artists, Jon Klassen. I LOVE his use of color, content (lots of nature), and texture.

Cardon Copy

May 25, 2009

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Cardon Copy is a pretty awesome project from designer Cardon Webb in which he redesigned found fliers and tear-offs and then replaced the originals with his redesigned posters. Conceptually I think it is a pretty neat project, but I also like that each poster was designed in a distinct style.

More posters after the jump.

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Heather Benning’s Dollhouse

May 22, 2009

So, I know that many people have already blogged about this (we found it on Famille Summerbelle’s blog, who found it on Design Shimmer), but I am insanely in love with Heather Benning’s life-sized dollhouse from 2007. What’s not to love? Farmhouse? Check! Dollhouse? Check! Canada? Check! The Saskatchewan artist converted an abandoned farmhouse in Manitoba into a full-sized, livable dollhouse. And, oh, how I’d love to live in it.

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Oh, and on a doll-related note, a current project of Benning’s is Field Doll, a 12-foot tall mixed-media sculpture of a doll that Benning has carried around with her on her travels.

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Enjoy more photos of Benning’s delightful dollhouse after the jump.

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Kusho

May 19, 2009

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I find these shots by Shinichi Maruyama absolutely stunning. He photographs (extremely fast) midair combinations of water and black ink. Not only is the subject matter a reference to traditional sumi paintings and calligraphy, but formally an exploration of the variety of ways the two – light/dark, opaque/clear – oppose and combine with each other, making them an apt metaphor for just about everything. I love the thoroughness of this exploration almost as much as the beauty of the individual pieces.
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Lots more, and higher-res, at shinichimaruyama.com.

via graphic-exchange.

New Work from Noah Dasho

May 19, 2009

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Noah Dasho just sent over some images of a beautiful new etching he just finished called Conversations. It is a 12″ x 16″ two-plate etching (softground, aquatint, spitbite) with added watercolor.

View some of Noah’s older work after the jump.

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Jenny Holzer: PROTECT PROTECT

May 15, 2009

We went to a number of museums on our trip, but hands-down the most interesting exhibition we saw was Jenny Holzer‘s Protect Protect.

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Jenny Holzer, “MONUMENT”, 2008.

Texts: “Truisms”, 1977-79; “Inflammatory Essays”, 1979-82. © 2009 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Vassilij Gureev. Collection of the artist; courtesy Monika Sprüth Philomene Magers, Berlin and London; and Diehl + Gallery One, Moscow

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Jenny Holzer, “For Chicago”, 2008.

Texts: “Truisms”, 1977-79; “Inflammatory Essays”, 1979-82; “Living”, 1980-82; “Survival”, 1983-85; “Under a Rock”, 1986; “Laments”, 1989; “Mother and Child”, 1990; “War”, 1992; “Lustmord”, 1993-95; “Erlauf”, 1995; “Arno”, 1996; “Blue”, 1998; and “Oh”, 2001. © 2009 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Attilio Maranzano. Collection Museum of Contemporary Art, Chicago, commissioned through the generosity of the Edlis/Neeson Art Acquisition Fund

The show includes a variety of media, not only the LED signs that Holzer is best known for (shown above, but, as you might expect, the pictures can’t begin to do them justice), but also a series called Redaction Paintings which reproduce government documents about torture at large scale. The show is incredibly affecting; the matter-of-fact tone of the transcripts of marines discussing a war we are still engaged in can be a little hard to stomach, but are very important to read.

Here is an excerpt from The Whitney’s text about the show:

The works in this exhibition feature selections of Holzer’s writings from 1977 to 2001, as well as declassified pages from U.S. government documents she has used as source material since 2004. The exhibition’s subtitle PROTECT PROTECT derives from texts detailing plans for the Iraq war, yet it also relates to the problematic power of personal desire, as encapsulated in one of Holzer’s best-known statements: PROTECT ME FROM WHAT I WANT.

Whether she is using her own idiomatic texts, borrowing the words of international poets, or citing formerly classified materials containing policy debates, battle plans, and testimonies of American soldiers and detainees in U.S. custody, Holzer works between the public and private, the body politic and the body, the universal and the particular. Always timely, she provides a range of opinions, attitudes, and voices in works infused with formal beauty, sensitivity, and power.

Holzer is a favorite of ours from way back. She appeals to our love of type and also a social consciousness in artwork that is rare. From her Truisms, which were like incredible bursts of keen observation executed in a variety of media, through Lustmord, which dealt rather chillingly with text from the abusers and the abused (sometimes cut into skin or tagged onto bones) to this use of declassified torture documents displayed large or on flashing LEDs, she has consistently made thought-provoking use of texts.

To read more about the show, click here. Protect Protect is on view at the Whitney until May 31st.

artstream

May 14, 2009

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Some really great prints I wouldn’t mind having on my wall. I especially like that the last two pieces have the words forest + girl in the titles!

All prints are available through artstream.

Font-y Friday

May 8, 2009

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This French Vogue font is art to me (found via Lolita).

Keep Calm and . . . full circle

April 8, 2009

Y’all know about this poster, right?

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The classic sfgirlbybay edition as seen in the final issue of
Domino magazine, RIP.

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Maira Kalman’s version from
The Principles of Uncertainty. She’s wrong about the WWII thing, sort of (more on that later).

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Threadless typetee
‘s clever reversal (note inverted crown); the 1937 original poster hung in an old bomb shelter, apparently.

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Optimistic crafty homage by Matt Jones, available on 20×200; snarky, but true parody by Osborne Villas from flickr.

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Printable 2009 calendars by etsy seller littlebrownpen, available in a version for Women and one for Men.

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Rubber stamps
from Rubber Soul; lip balm from etsy seller leastlikely2breed (these should totally say keep calm and carry balm instead…)

But OK, what about these? Yikes!

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These are very very real though I think they are not intended to be quite so creepy as they come across. via BoingBoing via David Byrne!

I trace and analyze this phenomenon as best I can after the jump.

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b’ART

April 5, 2009

Part of my commute every day is on Bay Area Rapid Transit (BART). I’m lucky in that I’m commuting from south of downtown San Francisco to Millbrae: against the tide; I never have a problem getting a bench to myself. Sometime around January, something caught my eye on the platform. It was a great big bird.

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Wow. There are a lot of things that these say to me. After the jump.

These are the works of Berkeley artist  Mick Wiggins. If you’d like to read his statement or other outsisde context before my observations, feel free. I only came upon this context after writing this.

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copper octopus!

March 26, 2009

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Thanks to Noah for being an art pusher. Once I saw this print by Barnaby Ward (Bosley, copper), I had to have it. Cute girl with her cephalopod friend? How could I pass up something so tailor-made for me?

Each limited-edition print in this series (available at Pictures on Walls) is a three- or five-color screenprint with pearlescent, metallic ink, and is signed and numbered. For non-limited-edition (thus, less expensive) work, head over to the artist’s own site.

Science + Art

March 25, 2009

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Artist Michael Bartalos has teamed up with the California Academy of Sciences in San Francisco for a special project that brings together two of my favorite things: science and art. His current project is an ongoing piece called The Long View, wherein he will create sculptures using recyclable goods found in Antarctica. He’ll document his progress on the Academy of Sciences blog, as well as on his own website. I, as a lover of found-object art with a purpose, am excited to see something that promotes sustainability awareness with flair.